1. |
Black and White Sunrise
02:27
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2. |
Diffraction Gratings
04:08
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3. |
Blind Spot
05:05
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4. |
Concrete Space
05:11
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5. |
Diatoms
05:22
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6. |
Siyr Siylur
03:22
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7. |
Agnosia
05:31
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8. |
Occam's Razor
03:09
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9. |
Acrobats
05:29
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Isnaj Dui London, UK
Standing awkwardly between neo-impressionism and electronica, Isnaj Dui (aka Katie English) conveys a minimal yet capturing sound using flutes, home-made dulcimers and electronics. As a classically trained flautist, English has also studied electroacoustic music, alternative tunings and Balinese gamelan and has collaborated with numerous artists from electronica acts to folk bands. ... more
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supported by 17 fans who also own “Poiesis”
Of all of English's musical output 'Bright Star' is her most immense and masterful work yet! Not only is she one of my favorite composers, she is responsible for making me appreciate the incredible range of the classical flute. Her cyclical evolving approach in "Moving Waters" reminds me of Julius Eastman's 'Feminine'. Between the concrète bits of far off room side rhythm and the combination of rough-sanded grit and sweet low end softness in the woodwinds, this is an instant classic.
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supported by 10 fans who also own “Poiesis”
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The Last Sense To Leave Us, A Tribute To Pauline Oliveros
by Rural Colours
supported by 10 fans who also own “Poiesis”
I first heard Pauline Oliveros on the "New Sounds in Electronic Music" compilation. This is a wonderfully creative tribute to her and her work.
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On his newest LP, Markus Lake creates delicate, textural works where everything remains in its right place.
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On new LP “Cohesion,” Mattia Olgiati pairs inventive electronic arrangements in songs that celebrate a hopeful return to everyday life.
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Boing!
by Bex Burch & Leafcutter John
Pioneering electronic artist Leafcutter John and gyil player Bex Burch come together for an exuberant, largely improvised jazz-fusion set.
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A Room Now Empty
by Aaron Martin
supported by 9 fans who also own “Poiesis”
I'm reminded of something my grandfather Oscar told me that I never forgot. He said that he thought the cello was the only instrument that sounded the closest to a human heart...breaking. And that holds so true on this record. Thank you Aaron for your beautiful cello, as well as all the other wonderful stringed instruments. If this is the new "electro-acoustic classical" count me on board!
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